Friday, 12 February 2010
After reading some confusing and unexciting solo Wolverine adventures, it was such a breath of fresh air to open the beautiful pages of this short miniseries and see the classic rogue hero battling to take care of his past in a way that couldn’t have been done until recently. Since House of M (see here for an explanation of that) Wolverine’s wiped memories of his past seventy-plus years of life have been returning and in Logan it’s clear he is still feeling the weight of all that has been done to him (and guilt at the things he has done too). Here he is confronting the horrors of what he survived at the end of the Second World War.
The art deserves a special mention, especially in the first part – the dark page layouts, gradually change to brighter, more expansive panels as Wolverine escapes a Japanese Nazi prison. Risso really is a fascinating storyteller in his own right, and this miniseries easily tops his work on a so-so Batman story a few years ago. Observe the way Risso shows us simple things like the light falling in the cell to the way he illustrates some of beautiful rural Japan, not often seen in films or comics, and a traditional Japanese home.
The Hulk is one Marvel character I have barely any knowledge about. But in this year-long epic a tragic “persecuted monster” storyline is fused with the political machinations and arenas of the film Gladiator, on an advanced planet far from Earth.
And why is the Hulk is ejected from Earth to start a new life on an alien world? All for the safety of humanity, of course, as decided secretly by Tony Stark (Iron Man) and Reed Richards of the Fantastic Four. Guess what? Hulk is mad – and the madder he gets….
Brilliantly it is far from being a story about the Hulk smashing everything in sight. Originally inhibited by alien technology and enslaved, he grows cleverer than the other gladiators, he shows loyalty to those who prove themselves serving alongside him, he manages to unite some of the diverse races on the planet, finding ways both to deliver an oppressed people and even to begin to undo the damage caused to the planet. And all along, he is followed by the devout and hopeful, who look to him as an unlikely saviour from their insanely self-obsessed monarch, the Red King. The question that kept me reading was this one: Will he succeed in all this? Can he actually play the hero? And when you see his rage and stubbornness, or some of the more despicable aspects of his allies, what will his new world look like when he’s done? Can he possibly find a home so far from Earth?
Highly recommended, because it is refreshingly different from the rest of mainstream comics, very different in scope to most comics on crime or superheroics, and the art, through most of this wild, surprising ride, is also excellent.
Wednesday, 10 February 2010
Another new character to pop up, a young teen who is a “healer”, also reminds us of the need for a strong family, and good guidance for those with powers, which has helped us see Mr Bennet’s new place in the world, and his good instincts for this sort of situation. However how he deals with the boy also reminds us that he doesn’t have all the answers, and highlights his powerlessness when the boy’s confusion and panic leads to disaster. If only he had these powers under control, he could be a force for great good – but even in the real world, bringing our bodies under control for good is not easy, and so sometimes even those used to being in control, like Mrs Petrelli, are faced with their faults and their insufficiency.